After many years of work, thousands of publications, dozens of exhibitions, and a wealth of research never fully uncovered, we realized that if we don't give these images a life, all the effort put into producing them—the travels, the encounters, the hopes, the goodbyes—remains locked away in an archive that no one accesses.
That's why we decided to open it. To return to the projects, rework them, and make them available in large print runs at affordable prices. With some exceptions: some works have a market or exhibition history that doesn't allow us to expand their print runs. It's a question of consistency with those who supported them previously.
Why should it make sense, today, to keep before our eyes an image that does not change, does not flow, does not update?
In the age of generative imagination, choosing fine art photography means choosing the time of observation over that of instantaneous production. It means recognizing that the gaze can stumble, deviate, and fail, and that in those accidents the unexpected arises. Producing and selling photography, for us, means trying to bring into the world the beauty born of the relationship between humanity and reality—everywhere, beyond codes, beyond what is already written.
