Photography today, still?
In the age of generative/numerical imagery, for us, photography, understood as an author's gaze on reality or dreams, is a meaningful choice. It means restoring centrality to the time of observation, to the filter of humanity, the photographer, and the audience. It means acknowledging the possibility that the gaze may stumble, deviate, or fail, and that these influences may determine the new, the unexpected.
For us, producing and selling photography ultimately means trying to bring into the world the beauty produced by the relationship between man and reality, between man and where the dream dwells: that is, anywhere outside of codes, outside of what is written.